《我遥远的南京》(为大提琴与乐队而作)是叶小钢于2005年为纪念1937年在南京被日本军队杀害的30万平民而创作的,在纪念世界反法西斯战争胜利暨中国人民抗日战争胜利七十周年的2015年,这首具有特定意义的大型作品又在全国各地被多次公演,并得到了广泛关注。笔者在重新欣赏这部作品时,也同样受到了很大的触动,遂撰写此文,通过对这部作品的艺术表现与作曲技术之关系的解析,初探其创作内涵与审美理念。 “My Far Nanking” (for the cello and the band) was created by Ye Xiaogang in 2005 to commemorate the 300,000 civilians who were killed by Japanese troops in Nanjing in 1937. In commemoration of the victory of the world anti-fascist war and the victory of the Chinese People’s War of Resistance Against Japanese Aggression Seventieth Anniversary of 2015, the first large-scale work of special significance has been performed many times throughout the country and received extensive attention. When I re-appreciate this work, I also received a great deal of touch. I wrote this essay. Through the analysis of the relationship between the artistic expression and the composition technique of this work, I first explored its connotation and aesthetic conception.