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绿色,标志着生命与活力,应当把它馈予一向拥抱时代、生活和观众的话剧。这里所以将“绿色”桂冠戴到话剧头上,是由于它从文学到舞台的全过程,都紧紧观照着最终与欣赏者进行剧场直接交流的特征,热衷于给人以思想振荡、生活启悟和美感升华,总是跃然迸发着观赏的文化个性与艺术魅力。话剧在新时期陷入困境,是疏离时代、生活和观众,也是其艺术本体的个性色泽消褪的结果。多年来话剧界奋力冲出低谷以图崛起的轨迹,正是寻觅自己“绿色”的艺术生命的过程。
Green, a symbol of life and vitality, should be fed to plays that have embraced the times, lives and audiences. Therefore, the title of “green” is put on the head of the drama because it takes the whole process from literature to the stage and closely observes the characteristics of the direct exchange with the audience for the theater. It is keen to give thought and vibration to life. Enlightenment and beauty sublimation, always vividly burst out with the viewing of cultural personality and artistic charm. In the new era, the drama gets into trouble, which is the result of alienating the times, the life and the audience, as well as the fading of the individuality of the artistic noumenon. Over the years, the drama industry struggled to emerge from the bottom in order to rise up. It is the process of searching for its own “green” artistic life.