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本文通过纯净透明的“呼麦”旋律联想到早期音律的思维形态，用数理分析、文献记载、历史遗存分析论述了早期自然纯正律存在之必然，以及用其改善当今音乐之重要。
In this paper, the thought of early temperament is conjured up by the clear and transparent melody of “Homai”. The necessity of the existence of pure innocence of early nature is expounded by mathematical analysis, literature records and historical relics, and the importance of using it to improve contemporary music is also discussed.