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后ECFA时代,台湾电影更加注重对本土文化,及本土文化意象在影片中的使用。不论是对闽南语台词的侧重使用,还是对于拍摄场景的安排,以及对演员角色的设置都深深渗入本土文化的根基。本片从影片《翻滚吧,阿信》的拍摄场景与演员角色塑造等方面进行分析,从而发现台湾电影在面对外部各类影响和自身发展规律及要求的双重挑战下,是如何发现自我,并淋漓展现自我。
After the era of ECFA, Taiwan films pay more attention to the use of local culture and local cultural images in the film. Regardless of the emphasis on the use of lines in Taiwanese, or for shooting scenes arrangements, as well as the role of the actors are deeply infiltrated the foundation of local culture. The film from the film “roll it, A letter,” the filming of the scene and the role of the cast and other aspects of analysis, in order to find the Taiwanese film in the face of various external influences and their own development rules and requirements of the dual challenges, is how to find themselves, And dripping to show themselves.