在我国专业音乐院校的声乐、器乐教学中,钢琴即兴伴奏是一个运用非常普遍的,却又常常处于边缘地位的领域。一方面,古典领域的钢琴演奏强调有谱可依、有据可循,这里的“据”细化到了遵从作曲家所在历史时期的惯常风格,如伸缩节奏的特点、触键要领、跳音的时值等。谱面的音符是首当其冲应该严格遵循的,不容即兴发挥的。其理由是:现代钢琴家大多是专职的钢琴演奏家,已经无需如同古典钢琴家那般兼任作曲家的职能。而无作曲技能,自然也丧失了对谱面音符进 In the vocal music and instrumental teaching of our country’s professional music colleges, the improvisation accompaniment of piano is an area that is very common but often marginalized. On the one hand, the piano performance in the classical field emphasizes that there is a spectrum to be followed, and according to the evidence, “” here is refined to conform to the usual style of the composer’s historical period, such as the characteristics of stretching rhythm, The time value and so on. Music notes of the spectrum are the first to be strictly followed and can not be improvised. The reason is that most modern pianists are full-time pianists who do not need to be part-time composers like classical pianists. Without the skill of composer, naturally lost to the spectrum notes into