随着一系列江南水乡主题画作的问世,著名的风景画家陆文雄以他情景交融的绘画特色,奠定了自己在中固水乡画坛上独领风骚的地位。江南水乡多年来一直是中外画家醉心的题材,名家名作不绝于世。然而画家们多是从水乡外面画进水乡,唯独陆文雄从水乡深处画出,他生于水乡长于水乡,他身上的每一个细胞都浸透着江南水乡那特有的文化基因,他笔下的水乡画常常有着异于常人的细腻和深情。我们站在陆文雄的作品面前,仿佛走进了一个感性世界。他的画贴近真实,不加雕琢,不见匠气,不似创作,胜似创作,仿佛一篮子刚从田垅头割下来的笕菜,让我们闻到了清新芬芳的泥土气息。我们难得见到如此生动表现水乡的作品,因为他是从水乡深处走出来的画家,他本人就是水乡之子。 With the advent of a series of thematic paintings of the Jiangnan Water Village, the famous landscape painter Lu Wenxiong laid the distinctive position in the landscape painting of Zhonggu Shui with his painting features. Jiangnan Water Village has been the subject of painstaking efforts by Chinese and foreign painters for many years. However, most of the painters drew water from outside the water village. Only Lu Wenxiong drew it from the depths of the water village. He was born in a water village longer than the water village. Every cell in his body was soaked with the unique cultural gene of Jiangnan Water Village. Water painting often have different from ordinary people’s delicate and affectionate. We stand in front of Lu Wenxiong’s works, as if into a sensuous world. His paintings are close to the real, uncompromising, unobtrusive, less creative, more creative than a basket of fresh vegetables just cut from the head of the farmland, so that we can smell the fresh and fragrant earthy atmosphere. It is rare for us to see such vivid works of water and rivers because he is an artist who has come out of the depths of the water. He himself is the son of a water country.