纵观中外批评史,批评家们大多没能对法语女作家阿梅丽·诺冬及其作品给予足够的关注。本文运用叙事学理论,解读诺冬的代表作《午后四点》,发现小说的叙事策略体现在两方面:第一,通篇用第一人称叙事,制造悬念并且召唤想象;第二,叙事节奏张弛有度,带来阅读快感。 Throughout the history of criticism both at home and abroad, most critics failed to give enough attention to the French writer Amelie Nodong and his works. This article uses the theory of narratology to interpret Noord’s masterpiece, “Four o’clock Afternoon,” and finds that the narrative strategy of the novel is embodied in two aspects: first, through the first-person narrative, creating suspense and summoning imagination; second, Degree, bring reading pleasure.