论文部分内容阅读
“20世纪辽宁篆刻”的作者包括两种情况:一种土生土长的辽宁省本土篆刻家;一种是在辽宁生活和工作,且对辽宁篆刻产生一定影响的印家或印学家。诚然,若依照常见的以出生先后为序的撰写方式,似乎不易清晰地认识20世纪辽宁篆刻的师承与发展。文章从“专师战国秦汉印”“主法明清流派印”两类论述,以期达到阐明20世纪辽宁篆刻在全国印坛上的应有地位,以及在“东北篆刻史”上独特的地域文化影响。
The authors of 20th Century Liaoning Seal Engraving include two kinds of situations: a native of Liaoning Province, a local seal carver; one is a Indian or Indian writer who lived and worked in Liaoning and had some influence on seal cutting in Liaoning. It is true that, according to the common way of writing in order of birth, it seems difficult to clearly understand the inscriptions and development of carving in Liaoning in the 20th century. The article from the “Warring States Period Qin and Han printed” “Lord of the Ming and Qing Dynasties printing” two types of discourse, in order to achieve the clarification of the 20th century Liaoning seal cutting in the national Indian altar position, as well as in the “History of the Northeast Seal ”On the unique geographical and cultural impact.