《新美术》杂志发表过浙江美术学院一位教授关于李文彩书法的评论_文章,其中写道:我国著名的阿拉伯文书法家李文彩先生“自学成材,所作阿拉伯文书法,讲求装饰美,趋于图案化,使伊斯兰书法艺术的传统在创新中发展,他的阿文书法,将字体美化组成各种形状的图案,具有中心对称美和浓郁的装饰趣味。”其实,这也正是国内众多的阿文书法家所追求的伊斯兰书法艺术与中国传统艺术精美交融的最高境界。 New Art Magazine published a commentary on the calligraphy of Li Wencai by a professor at Zhejiang Academy of Fine Arts which wrote: Mr. Li Wencai, the famous Arabic calligrapher in our country, “made self-study, made Arabic calligraphy, Pattern, so that the tradition of Islamic calligraphy in the development of innovation, his Arabic calligraphy, the font will be beautified to form a variety of shapes and patterns, with central symmetry and rich decorative charm. ”In fact, this is also the domestic many The highest level of the beautiful blend of Islamic calligraphy and Chinese traditional art pursued by Awaji calligrapher.