高翔是中国当代青年花鸟画家当中的佼佼者。在长期的创作生涯中,他清楚地意识到,笔墨关系应该脱离传统“以法役意”式的表达程式,画家应该在绘画中寄托情感。无论是局部还是细节,画面表现都应该以视觉上的情感需要为先。当我静静地站在他的花鸟画作品前,画面的情境便自然而然地显现出来。 Gao Xiang is a leader among contemporary Chinese flower and bird painters. In his long creative career, he clearly realized that the relationship between brush and ink should deviate from the traditional expression of “legal advice”, and the artist should attach emotion to the painting. Whether it is local or details, the screen performance should be based on the visual needs of the emotions first. When I quietly stood before his flowers and birds paintings, the picture of the situation will naturally emerge.