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晚清以降,西方近现代科学世界观逐渐替代中国传统天理世界观、中国传统浑整的知识系统被易以现代知识分化后的分科谱系、中国国家社会政治制度的现代性变迁所自然引发的现代教育体制与课程体系改革,分别从观念、知识、制度三个层面为文艺学与美学的现代分离准备了条件。中国文艺学与美学的现代分离因而也相应地表现为从观念话语、到知识谱系、再到学科体系的全面分离过程。然而,今天来看,这一分离本身并不都是积极的,亦潜藏着隐忧:它在使中国文艺学快速完成现代转型与学科独立的同时,也丧失了中国传统“诗文评”与“审美理论”作为浑整的知识形态时所自然蕴含的巨大现实生命根基与对社会意识形态所持有的审美超越性精神,后者正是中国文艺学在当代发展中亟须重新找回的东西。
In the late Qing dynasty and in the late Qing Dynasty, the Western modern scientific worldview gradually replaced the Chinese traditional heavenly worldview. The traditional Chinese muddy knowledge system was easily disrupted by the differentiation of modern knowledge and the modern education system naturally triggered by the changes in the modernity of Chinese national social and political system And curriculum system reform, respectively, from the concept, knowledge, system of three levels for the separation of literature and art and modern aesthetics of the conditions for the preparation. The modern separation of Chinese literature and art and aesthetics thus also corresponds to the complete separation of the discourse of ideas, the pedigree of knowledge and the disciplinary system. However, today, the separation itself is not always positive. It also lurk hidden worries: while it has made the Chinese literary and art studies quickly complete its modern transformation and academic independence, it has also lost its traditional Chinese tradition of “poetry and prose” And the “aesthetic theory” as the foundation of the immense real life naturally contained in the muddy knowledge form and the aesthetic transcendence spirit held by the social ideology, which urgently needs the renewal of Chinese literature and art in the contemporary development Get back something.