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新锐导演邓肯·琼斯以选材新颖和构思奇异而闻名,其科幻电影用极简的画面构图、有限空间和人物设定,成功地勾勒了跳脱出现实世界的域外空间,从不同于常人的思维视角反思人类生存和人性的哲学问题,形成属于自己的科幻题材电影的独特风格与审美诉求。文章从结构安排和节奏掌控、视觉表现和镜头语言、情节把控和主题设置三个方面,以其两部代表作品《月球》和《源代码》为参考对象,来简要分析邓肯·琼斯科幻影片的审美诉求。
Emerging director Duncan Jones is famous for its novelty and novelty of material selection. His sci-fi movies sketched out the extraterritorial space of the real world with minimalist composition, limited space and characters. From a different perspective of ordinary people’s thinking, Reflect on the philosophical problems of human existence and human nature, and form the unique style and aesthetic appeal of their own science fiction theme films. The article briefly analyzes the Duncan Jones science fiction movies from three aspects of structure arrangement and rhythm control, visual expression and lens language, plot control and theme setting with reference to the two representative works “Moon” and “source code” Aesthetic appeal.