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《诗经》的毛传、郑笺、王逸的《楚辞章句》都注重解释作品中比兴手法的含意,为中国古典诗歌注释开创了释意的传统。宋代任渊《山谷诗集注》继承了上述传统,并克服了李善《文选注》“释事忘义”的缺点,结合作诗的背景,考证诗歌的本事,从而解释了黄庭坚诗歌中的典故与比兴意象的含意。作为“宋人注宋诗”这一文学现象中较早产生的作品,任渊重视释意的注释思维及其释意模式对宋代诗歌注释产生了明显的影响。
Mao Chuan and Zheng Jian in The Book of Songs and the “Songs and Expressions of Chu” in Wang Yi pay much attention to explaining the meaning of Beixing technique in the works, creating a tradition of interpreting the notes of classical Chinese poetry. In the Song Dynasty, Ren Yuan’s The Notes to the Valley Poetry inherited the above traditions and overcome the shortcomings of Li Shan’s “Selected Works Notes” and “Forgetting Forgets”, combined with the background of poetry, the textual research of poetry, explained the poems in Huang Tingjian’s poems The Allusions and the Meaning of Beixing Images. As an earlier work in the literary phenomenon “Song Notes and Song Poetry”, Ren Yuan’s commenting mode of thinking and his mode of interpretation, which had a great deal of importance on interpretation, had a significant impact on the poetry comments in the Song Dynasty.