自得其乐,是我画画的状态。一个人有什么样的状态,便有什么样的笔墨。八大出离了悲愤,于是有鄙睨天下的状态,笔下遂见白眼向天的孤冷同清傲。晚年的齐白石并晚年的毕加索,回归了赤子心,便朗朗一派天真,笔下的世界即是玻璃般透明。我又喜欢金农,喜欢关良,喜欢林风眠,这一路的状态,是自我的主观的审美的状态,笔墨呈现美,并且抒情。我观中外的绘事,大凡为自己画画的,一般都画得好,为别人来画的,失了自我,则等而下之。当然,凡事皆有例外,我所指是一般。 Enjoy themselves, is my painting state. What kind of state a person has, what kind of pen and ink. Eight out of grief, so there is contempt for the state of the world, then see his eyes plain solitary cool with the sky proud. In his later years, Qi Baishi and his later years, Picasso, return to the heart of the child, it bright and charming, the world is glass transparent. I like Jinnong again. I like Guan Liang and I like Lin Fengmian. The state of this path is the subjective aesthetic state of my ego. The ink is beautiful and lyrical. I think of Chinese and foreign paintings, generally for their own paintings, generally well painted, painted for others, lost themselves, then wait. Of course, there are exceptions to everything, I mean.