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2004年3月23日到5月16日,日裔美国画家国吉康雄的画展在东京国立近代美术馆隆重开幕。开幕式盛况空前,日本NHK电视台作了全程报道。20世纪初欧洲的后印象主义、野兽派艺术被介绍到美国,而当时对美国美术界产生影响的是国吉康雄(1889—1953)绘画中与众不同的东洋风格。国吉康雄17岁只身一人来到美国,一面艰苦地劳动,一面在纽约学习美术。后来几乎很少回日本的国吉康雄一直活跃在美国画坛上,他是二战前后屈指可数的代表美国获得极高评价的画家。国吉康雄生活的年代正是美国经济大萧条日本移民受到排斥和第二次世界大战期间社会激烈动荡的时代,其创作轨迹及作品引发了人们对国家与民族、美术与政治、艺术家与战争等问题的思考。国吉康雄一生创作的轨迹深深铭刻在美国美术史上,对美国和世界艺术产生着影响。
From March 23 to May 16, 2004, the exhibition of Japanese-American artist Kumagai Kikyo was grandly opened at the National Museum of Modern Art in Tokyo. The grand opening ceremony, Japan NHK television made a full report. Post-impressionism in Europe at the beginning of the 20th century was introduced to the United States by the Fauvism art, which at the time had an impact on the American art world. It was the distinctive Oriental style in the paintings of Gukikangxiong (1889-1953). At 17, Guo Ji Kangxiong came to the United States alone and worked hard to study fine arts in New York City. Ji Ji-hsiung, who later rarely returned to Japan, has been active in the art scene in the United States. He was one of the few painters who had received extremely high evaluations in the United States before and after World War II. The era of Gukikangxiong’s life was the era of the Great Depression of the United States, the exclusion of Japanese immigrants and the fierce social turmoil during the Second World War. The track of his creation and his works have led to the great controversy over the national and ethnic groups, fine arts and politics, artists and war And other issues of thinking. Gu Ji Kangxiong life traces deeply engraved in the history of art in the United States, the United States and the world art have an impact.