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我们在研读中国古代书法理论时,往往会被理论中诸多比拟现象所困惑,难以理解古人对所比拟事物具体、真实、客观的含义,从而就不能正确理解古人的理论思想和对书写技能的继承。比拟现象的产生是与历史上书写的实用性和书写过程中艺术审美不断发展的阐释有关。在众多的比拟现象中,都是对大自然的描述,从中可以发现我国古人对大自然的热爱和在应用比拟时的方式、思想、情感等诸方面独特的文化特点。对古人书法理论中比拟现象的深层思考与阐释,可以为我们更好地解读古人的思想、认知、施技诸方面提供研究的方向与理论的支持,同时对当代书法的创新有着积极的意义。
When we study Chinese ancient calligraphy theory, we often get confused by many analogies in theory, and it is difficult to understand the concrete, true and objective meanings of the ancient people to the comparative things, so that we can not correctly understand the ancients’ theoretical thinking and inheritance of writing skills . The emergence of the analogy is related to the practicality of writing history and the continuous development of artistic aesthetics in the writing process. Among the many analogies, they are descriptions of nature, from which we can find our country’s ancient people’s love of nature and the unique cultural characteristics of the ways, thoughts and emotions in the application of comparison. The deep thinking and interpretation of the analogy in the ancient calligraphy theory can provide the direction and theoretical support for us to better understand the ancients’ thought, cognition and techniques, and meanwhile have a positive meaning for the innovation of contemporary calligraphy .