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民间泥塑作为人类最古老的艺术表达形式之一,拥有独立的造型色彩及审美特征,正是通过自身所特有的艺术率真性,原发的生活性阐述着老百姓的真实生活和内心的美好愿望与追求。文章以陕西凤翔、山东高密、河南浚县、天津泥人张、北京泥塑等为代表,分析和探讨中国北方民间泥塑的主观象征性、随形化、艳丽平涂化、写意化以及理想与自然相结合的色彩形态特征。
As one of the oldest man-made forms of art expression, folk clay sculpture has its own unique modeling color and aesthetic features. It precisely through its own unique artistic authenticity and original living nature expounding the real life and inner good wishes of the common people pursue. This paper analyzes and discusses the subjective symbolism, randomization, vividness and flattening of the folk clay in north China with the representatives of Fengxiang in Shaanxi Province, Gaomi in Shandong Province, Xuxian County in Henan Province, the clay figurine in Tianjin and the clay sculpture in Beijing. Combined color morphological features.