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阿恩海姆美学理论中的张力不同于物理上的张力,是由视觉传达给我们的一种“具有倾向性的张力”。中国画是静动结合,寓静于动的艺术,而这一点与西方的美学思想“不动之动”是不谋而合的。中国画中构成张力的因素有很多,我们主要从中国画的构图和线条与笔墨中去探求它的张力表现,试图找到中国画本身的张力表现与西方美学的结合,以求中国画在内容与形式上发挥它最大的艺术张力并达到平衡与统一。
The tension in Arnheim’s aesthetic theory is different from the physical tension, which is a kind of “tendentious tension” conveyed to us by the visual. Chinese painting is a combination of static and dynamic, which is a combination of Western aesthetics and “motionless”. There are many factors that make up the tension in Chinese painting. We mainly explore its tension performance from the composition and lines of the Chinese painting. We try to find the combination of the tension performance of the Chinese painting with the western aesthetics so that the Chinese painting can play its role in content and form. The greatest artistic tension and achieve balance and unity.