纵观历代画马名家之作,无论是韩幹、曹霸,还是李公麟、赵孟頫,皆为工笔细写,至清末任伯年始兼用小写意法点染画马。至于用大写意笔墨画马、痛快淋漓挥洒自如而形神兼备者,惟有徐悲鸿始能此。年轻时的徐悲鸿曾提出过这样的观点:“中国画学之颓败,至今日己极矣……古法之佳者守之,垂绝者继之,不佳者改之,未足者增之,西方画之可采入者融之。”并亲力亲为赴法留学, Throughout the history of painting Ma masters, whether it is Han Gan, Cao Ba, or Li Gonglin, Zhao Mengfu, are all meticulous writing, until the late Qing Ren Biannian both lowercase meaning point painting drew. As for the use of capital ink brush painting, painstakingly dripping freely and vividly dedication, only Xu Beihong can start. Xu Beihong made a point of view when he was a young man: “The decay of Chinese painting has been extremely vile today ... The good law of the ancient law is followed by the extinction followed by the poor, Into the Western art of those who can be integrated. ”And personally go to France to study,