元代的私人收藏风气较之两宋更为兴盛,社会上参与书画市场的群体面更广。除了大长公主、柯九思、鲜于枢、赵孟頫等贵族、重臣这样的收藏家外,在江南地区还涌现出了众多的平民收藏家,留下了如周密的《志雅堂杂钞》、汤允漠的《云烟过眼录续集》之类著录书画古玩等藏品的著作。同时,元朝继承了南宋与金内府的大量藏品,宫廷书画异常充足。文宗图帖睦尔(1329～1331年在位)为元代最重视文艺的统治者之一,史载他就能作画。他在位时收纳了一批文入画家,委以官职,给予优厚待遇,让他们能集中精力安心创作。不仅如此,元朝亦设立秘书监来管理和收藏书画古物,并建立了储存与鉴赏古玩字画的奎章阁,设鉴书博士等职专门负责书画藏品的归类鉴定。而柯九思就是其中最重要的鉴书博士。 The genre of personal collection in the Yuan Dynasty was more prosperous than that of the two Song dynasties, and the community was more involved in the calligraphy and painting market. In addition to the collectors such as the eldest princess, Ke Si Si, Xian Yu Shu, Zhao Mengfu and other aristocrats and ministers, numerous civilian collectors also emerged in the southern part of the country, leaving well-conceived “Chiya Tongchao” “Clouds over the eye continued to sequel,” such as cataloging antiques and other works of art collection. At the same time, the Yuan Dynasty inherited a large number of collections of the Southern Song Dynasty and Jin Nei House, and the court paintings were exceptionally adequate. Wen Zongmu Tiemu (reigned 1329 ~ 1331) was one of the rulers who placed the greatest emphasis on literature and art in the Yuan Dynasty. When he was in charge, he accepted a group of painters, commissioned officials to give generous treatment so that they could concentrate on ease of creation. Moreover, the Yuan Dynasty also set up secretarial supervisors to manage and collect paintings and calligraphy antiquities and set up the Kui Zhang Pavilion for storing and appreciating antique calligraphy and painting. Ke Jiusi is one of the most important doctorate book.