古典主义绘画在造型因素上强调严谨、理性,并注重造型艺术的循规蹈矩,具有古朴、典雅和庄重的风格。后现代主义盛行的情境下对古典主义绘画的回望,是在相对性、多元性和虚拟性的艺术审美中窥视一种严谨的、道法自然的艺术规律和准则。一法兰西18世纪盛行的洛可可艺术既浪费大量财力,又不能从意识上适应法国大革命的形势发展的需要。尽管有夏尔丹、格瑞兹的作品“具有一定的说教因素,以对抗洛可可艺术,但不能达到从心理上扶植为革命的勇气”。[1]作为革命的催化剂,人们只能另觅新径,他们直接从古希腊罗马 Classicism emphasizes rigorous and rational on styling factors, and pays attention to the conformity of plastic arts, with the simple, elegant and solemn style. Looking back on the classicism in the postmodernism context of post-modernism, it is a rigorous artistic law and guideline of nature in the art aesthetic of relativity, pluralism and virtuality. A French Rococo art prevailed in the 18th century not only wastes a lot of financial resources, but also can not meet the needs of the situation of the French Revolution consciously. Although there is Chardin, Ge Ruiz’s work “has some preaching elements to counter Rococo art, but can not achieve the psychological support for the revolutionary courage ”. [1] As a catalyst of revolution, one can only look for new paths, one from the ancient Greek and Roman