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在当代文化条件下,中国美学研究面临着文化多样化的语境,这是一个既涉及中国美学研究的理论走向,又关乎中国美学的现实命运的问题。当代文化的多样性发展使中国美学研究的历史条件与现实问题更加复杂,在今天,中国美学如何在当下的历史情境与理论处境中找到属于自己的文化属性与审美立场,找到自己的理论根基,进而在呼应中国当代审美文化经验的基础上展现出理论的现实性,这既是中国美学研究要面对的历史责任,同时又是理论研究者必须认真思考的问题。
Under contemporary cultural conditions, Chinese aesthetic studies face the context of cultural diversity. This is a question that touches both the theoretical trend of Chinese aesthetic studies and the actual fate of Chinese aesthetics. Nowadays, Chinese aesthetics has found its own cultural attributes and aesthetic position in the current historical situation and theoretical situation, found its own theoretical foundations, Furthermore, it shows the reality of the theory on the basis of echoing the Chinese contemporary aesthetic culture experience. This is not only the historical responsibility that Chinese aesthetic studies must face, but also the issue that theoretical researchers must seriously consider.