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浙江民间婺剧昆腔艺术是苏州昆腔的重要一脉。苏州昆腔在清代康熙和乾隆后,因“花部”(乱弹等剧种)崛起而渐渐衰弱,此时,婺剧昆腔却蓬勃兴起,继承发展,这和兰溪李渔的影响和促进是密不可分的。李渔不仅创作了昆腔传奇《比目鱼》、《风筝误》等十种曲,而且亲自带领昆曲家班四处演出,特别是在金华、兰溪、龙游、衢州等一带演出,深受人们喜欢,使其家乡成为江南昆曲的流行地和传承地,有力地推动了婺剧昆腔传播和兴盛。
Zhejiang Wuchang Kunqu Opera folk art is an important pulse of Kunqu. After the rise of Kangbai and Qianlong in the Qing Dynasty, Suzhou Kunqu became fainter due to the rise of “Flower Department” (Luanju etc.). At this time, the splendid rise of Wuju Kunqu, inherited and developed, was inseparable from the influence and promotion of Lanxi Liyu of. Li Yu created not only the ten songs such as “Halibut” and “Kite False”, but also personally led the Kunqu Opera Class performances, especially in the areas of Jinhua, Lanxi, Longyou and Quzhou, so that people loved it Hometown became the popular and inheritance of Kunqu Opera in Jiangnan, which effectively promoted the spread and prosperity of Wuju Kunqu Opera.