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民国至当代的山水画家群体中,重图式形式、重技法效果、重视觉冲击的人是为数不少的,许多作品也有可圈可点之处。二十世纪八十年代以来的对外开放和思想解放运动对传统中国画的形式发展确实有着重要意义。但当我们沉静下来,把今天的成果与先人们的作品作一比较,会发现我们缺失了一些重要的东西,如境界的创设和笔墨的独立审美价值以及由此而达到的人格彰显和精神力量,我们都和传统的高度相去甚远。但是,也有
Among the groups of contemporary landscape painters from the Republic of China to the present, there are a large number of people who emphasize schematization, technical effects and emphasis on visual impact. Many works also have remarkable features. The opening up to the outside world and the ideological liberation movement since the 1980s really have a great significance for the formal development of traditional Chinese painting. However, when we calm down and compare our achievements today with those of our predecessors, we find that we have missed something important, such as the creation of the realm and the independent aesthetic value of the brush and ink, as well as the personality manifestations and spirit thus achieved We are all far away from the traditional height. However, there are also