《牡丹亭》是明代戏曲家汤显祖的代表作,此剧多次出现引诗现象,此现象在汤氏文学作品中屡见不鲜,但从未像在《牡丹亭》中频繁集中地出现,且在此剧中汤显祖对《诗经》的阐释有异于传统的经学阐释。本文试图在解读《牡丹亭》中引诗文学意味的基础上,从汤显祖本人及明代诗经学两方面出发探析这一原因。 “Peony Pavilion” is a representative of the Tang Dynasty ancestor Tang Xianzu, the play has repeatedly cited poetry phenomenon, this phenomenon is common in Tom’s literary works, but never like the “Peony Pavilion” in the frequent and concentrated appear, and in this drama In Tang Xianzu’s interpretation of the Book of Songs is different from the traditional interpretation of the classics. Based on the interpretation of the poetic literary meaning of “The Peony Pavilion”, this article attempts to probe into the reason from the perspective of Tang Xianzu himself and the poetry classics of the Ming Dynasty.