音乐的创作贵在动情及形象鲜明。一首器乐曲做到这点,尤其不易。最近听了桑桐教授的旧作,大提琴独奏曲《幻想曲》,深有此感。《幻想曲》创作于1951年。翌年由俄籍大提琴家佘甫磋夫首次公演。在将乐队伴奏改为钢琴伴奏后,就经常出现在我国大提琴家的演出的曲目之中。已故大提琴家王砳曾将此曲灌过唱片。后来乐曲刊登在《音乐创作》上,日本大提琴家井上赖丰获得后,经常在日本演奏此曲,多达六、七十场。由此,井上赖丰先生还 The creation of music is vivid and vivid. A solo instrument does this, especially not easily. Recently heard the old works of Professor Sam Tong, cello solo “fantasia”, deep feeling. Fantasia was created in 1951. The following year by the Russian cellist She Puxiefu first performance. After changing the band’s accompaniment to a piano accompaniment, it often appears on the tracks of our country’s cellist’s performance. The late cellist Wang Wei once poured the song over the record. Later, the music was published in “Music Creation”. After Japanese cellist Inoue won the prize, he often played the song in Japan as many as six or seventy. As a result, Inoue Lai Feng also