著名文化研究学者托尼.贝内特从葛兰西到福柯理论范式的转换是一个重大学术事件,而且贝内特进一步把福柯这一框架运用于具体的文化实践之中,包括博物馆问题、文化政策问题等,从而揭示出当代社会中成为间接干预的“新自由主义”的政治图谋。但贝内特并没有批判这种社会现实,相反,他在很大程度上形成了与制度合谋的关系。 The transformation of famous cultural studies scholar Tony Bennet from Gramsci to Foucault’s theoretical paradigm is a major academic event and Bennett further applies Foucault’s framework to specific cultural practices including museums, Cultural policy issues and so on, so as to reveal the “neo-liberal” political plot of indirect intervention in contemporary society. But Bennett did not criticize this social reality, on the contrary, he formed a large degree of collusion with the system.