中国动画曾经历辉煌,《铁扇公主》作为亚洲第一郝动画长片,奠定了中国在动画领域的地位,从洋味十足到逐步确立自己的民族风格,文革前后更是形成了两次发展的高潮,不仅产量颇丰、获奖无数,更为重要的是开创了水墨动画、折纸动画、剪纸动画等多种不同的形式,其艺术风格形成独树一帜的“中国学派”。审视当下岌岌可危的动画产业,那些多年摸索、积攒出来的经验已经被我们自己放入了历史的博物馆,在惊叹他国动画产业突飞猛进、特色鲜明的同时,我们不仅要扪心自问我们动画产业发展的路径在哪里?技术我们可以苦练,资本我们也能投入,我们缺的也许永远只是精神。 Chinese animation has experienced brilliant. As the first longan animation film in Asia, “Iron Princess” has laid China's position in the field of animation. From the full flavor to the establishment of its own national style, two developments have taken place before and after the Cultural Revolution The climax is not only rich in output but also countless awards. What is more important is to create ink-and-ink animation, origami animation and paper-cut animation in various forms. Its artistic style has formed a unique “Chinese school of thought.” Looking at the current precarious animation industry, those years of groping and accumulating experience have been put into our own history museums. While marveling at the rapid development of animation industry in other countries, we not only have to ask ourselves where our animation industry is going We can practice hard skills, capital, we can invest, we may only be the lack of spirit.