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朴赞郁的电影从韩国社会的暴力、变态等现象入手,以复仇为核心探讨人之生存境遇以及人与世界之间的关系,其中人之存在的荒诞感以及个体对荒诞世界的体验成为朴赞郁电影中丰富的哲学隐喻。从荒诞的主题到荒诞哲学的叙事结构以及影像镜头,无一不显露出朴赞郁电影风格中的荒诞美学,也无一不渗透着朴赞郁对于人类对抗荒诞世界的努力和探索。
Park Chan-woo’s films start from the phenomena of violence and perversion in Korean society and explore venality and the relationship between people and the world with revenge as the core. Among them, the absurdity of human existence and the individual experience of the absurd world are the themes of Park Chan-yu’s film Rich philosophical metaphor. From the absurd theme to the absurd philosophical narrative structure and the lens of the images, all reveal the absurd aesthetics in the style of Park Chan-yu’s movies and infiltrate the efforts and exploration of Park Chan-wo for mankind against the absurd world.