初中时,我曾参加过学校的合唱团。合唱团规模并不大,三十人左右,只有女高音、女中音、男高音和男低音四个声部。我属于女高音声部,男低音声部人最少,只有四五个人。我一向不喜欢低声部,觉得这个声部的声音缺少灵活性,呆板又生硬。恰巧这次的曲目是一首音调偏高的原生态民歌,需要声音既有柔韧性,又有穿透力,这更让我觉得低声部的存在毫无意义,甚至 When I was in junior high school, I had participated in choir school. Choir size is not large, about 30 people, only the soprano, baritone, tenor and bass four voices. I belong to the soprano department, bass sound department at least, only four or five individuals. I have always disliked the whisper, feeling the lack of flexibility in the voices of this voice, stiff and blunt. It happens that this track is a high tone of the original ecological folk songs, the need for sound both flexibility, but also penetrating, which makes me feel the presence of bass Ministry meaningless, or even