我国的戏曲声腔,可以概括为两大类:曲牌体和板腔体。曲牌体声腔成熟较早,自宋元以来,南方以宋人词、里巷歌谣发展而为永嘉杂剧及南戏;北方从唐宋大曲、诸宫调等发展而为元杂剧。这两支势力雄厚的戏曲声腔,尽管风格迥异,却都是曲牌的联缀。随着表演艺术的提高,这些曲牌体唱腔也因剧情需要而不断发展。先辈们在声腔上创造了 China’s opera sound cavity, can be summarized into two categories: song body and plate cavity. Since the Song and Yuan dynasties, Song dynasty has developed the lyrics of the Song Dynasty and the ballads of the Lane in the middle of the Song Dynasty. These two powerful sound of the opera, despite the different styles, are all twists and turns of the Tunes. With the improvement of performing arts, these songs of the song body also evolve because of the needs of the story. The ancestors created in the voice