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在王世贞所提及的《艺苑卮言》基础之上,凭着对明刻六卷本和八卷本的辨析,我们大致可以梳理出《艺苑卮言》的成书过程,并勾画出其版本轮廓,从而对该书的加工与传播状况了然于心。尤为重要的是,我们据此可以发现《艺苑卮言》伴随着王世贞文学思想的变化。当然,尽管《艺苑卮言》几经修改,但是其对法度、格调的追求,以及对“才情”与“师心”并重等基本文学思想并没有发生过根本性的转变。
On the basis of Wang Shi-zhen’s “Yi Yuan Gu Yan”, based on the analysis of the six volumes and eight volumes in the Ming dynasty, we can roughly sort out the process of forming the “Yi Yu Yan” and outline its version , So as to understand the processing and dissemination of the book. What is more important is that we can find out that “Yi Yuan Shi Yan” is accompanied by the change of Wang Shizhen’s literary thought. Of course, although the “YiYuanTanYan” has been revised several times, its fundamental and literary ideas such as the pursuit of law and style, and the equal emphasis on “talent” and “teacher’s heart” have not undergone a fundamental change.