以往学界对于荀子“天”的解读,或是将其置于思想史的视野之下梳理发展脉络,或是以“天人之分”为标志认为荀子将“天”视为自然之物加以悬置。因而,可以从哲学层面出发,将荀子之“天”分别置于“自然之天”、“天赋之天”以及“终极之天”三个哲学维度下进行分疏,并阐明涵义。 In the past, the study of Xunzi “Tian ” in the past, or put it in the visual field of the history of ideas, combing the development context, or “the distinction between man and nature” as a symbol that Xunzi Suspended for nature. Therefore, from the philosophical level, we can divide Xunzi’s “Tian” into three philosophical dimensions such as “the sky of nature”, “the heaven of talent” and “the ultimate sky of heaven” , And clarify the meaning.