对日本电影的艺术风采和东方韵味,我一向抱着珍爱和共鸣的态度。由于文化渊源的接近,日本电影的人情味和含蓄美,对我有一种特殊的亲切感。还在50年代,就被《战火中的妇女》《二十四只眼睛》《暗无天日》《缩影》这些影片所感动,尽管这只是一个少年人的电影记忆。及至进了电影学院,渐入堂奥,在大量欧美电影对比之下,《罗生门》《东京物语》《裸岛》这些电影的东方魅力,就更显得可贵和亲近,对日本电影的人文精神和形式美 I always cherish the attitude of cherishing and sympathetic to the artistic style of the Japanese cinema and oriental charm. Due to the cultural origins of the close, Japanese cinema’s human touch and implied beauty, to me a special kind of intimacy. Also in the 1950s, it was touched by the films “War Woman,” “Twenty-Four Eyes,” “Shadowless” and “Miniature”, though it is just a movie memory of teenagers. And into the film academy, getting into the hall, in a large number of European and American films contrast, “Rashomon” “The Story of Tokyo” “Bare Island” these films Oriental charm, even more precious and close to the humanistic spirit of Japanese movies And the beauty of form