中国现代戏剧观念发展到新时期,大致经历了这样几个衍变阶段:由《新青年》派而“国剧运劝”派、“突击派”、“磨光派”。五四时期《新青年》派的戏剧观,提高戏剧的社会地位与文学地位,批判戏曲而建立话剧这崭新的戏剧审美形态,强调戏剧的社会使命和现实主义精神,使其成为中国戏剧观念现代化的滥觞。五卅后崛起的“国剧运动”派,则认为戏剧应该艺术地表现社会人生,强调戏剧艺 The concept of Chinese modern drama has developed into a new era and has undergone several stages of its evolution: the “New Youth” School and the “National Opera Campaign,” the “Assault School,” and the “Polished School.” During the May 4th Movement, the “New Youth” School of Drama put forward the view of drama, raised its social status and literary status, criticized the drama and established a brand-new aesthetic form of drama, emphasizing the drama’s social mission and realism, making it a modernized concept of Chinese drama The beginning of the abuse. After the rise of the Five Mages, the “National Drama Movement” faction, that the drama should be an artistic expression of social life, emphasizing theater arts