人性和抗争是安娜·西格斯作品里一再凸显的主题,作为西格斯流亡时期巅峰之作的长篇小说《第七个十字架》正是一首人性与抗争的交响曲。西格斯以细腻的笔触和磅礴的视角塑造了第三帝国统治下的诸多女性形象,她们或隐忍自保,或舍身护义,或自觉抗争。本文采取文本内研究的方法,选取有代表性的女性形象,阐释人性在她们身上的沉沦、坚守、觉醒和绽放。 Humanity and resistance are the themes that have repeatedly been highlighted in Anna Siegbers’ work. The seventh cross, the culmination of the exile of Sigourney, is exactly the symphony of human nature and protest. With his delicate brushwork and magnificent vision, Sigs shapes the images of many women under the reign of the Third Reich. They either tolerate self-preservation, or sacrifice themselves, or consciously fight. This article adopts the method of textual research to select representative female images and explain the sinking, sticking, awakening and blooming of humanity on them.