如果戏剧界也有“后新时期”之说,那么,九十年代话剧的一个明显标记,就是“小剧场”戏剧的重新崛起,而它与八十年代(新时期)相比,又有了变化和发展。一为以小剧场形式重新表现和阐释的外国经典和现代作品的引入;二为其已形成一套策划、筹资、宣传、票房等经济运作的制作,而非过去那种单纯的艺术“创作”。 If there is also a “post-new era” in the theater, then one notable mark of drama in the nineties is the reinstatement of the theater of the “little theater”, which has changed from the eighties (the new era) And development. One is the introduction of foreign classics and modern works which are re-expressed and interpreted in the form of small theater; the other is that they have formed a series of economic operations such as planning, financing, publicity and box office instead of the simple “art creation” of the past, .