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婚姻恋爱是男女性欲和种之繁衍的本能,在社会发展的漫长历程中,它和人类文明的理想结构,共同经受了崎岖和曲折,留下了一个又一个永难磨灭的历史印痕。 最近,在南京博物院的历史陈列室中,展出了一件江苏涟水三里墩西汉墓出土的“青铜三立俑”,就是反映了如上所述的情状。舞俑一男一女,全身赤裸;肌肉丰满、比例均称;线条流畅、轮廓分明,有较高的青铜器制铸和雕刻水平。尤其是舞者间相互扶抱,同作爱恋之形态来分析,其间,除表现了青年男女的爱暮和恋情之外,还显示了婚姻习俗与图腾崇拜相关的特殊舞型。(插图一)它引起了人们深切地关注和思考。
In the long course of social development, marriage and love are instinct of sexual desire and breeding of men and women. Together with the ideal structure of human civilization, marriage and love have endured the rugged and twists and turns, leaving one after another imprinting the historical mark. Recently, a “bronze terracotta” unearthed in the Western Han Tombs at Sanlitun, Lianshui, Jiangsu, was exhibited in the historical showroom of the Nanjing Museum, reflecting the above-mentioned situation. The dance figurines a man and a woman, naked; muscular fullness, the proportion are known; smooth lines, well-defined, higher bronze casting and engraving level. Especially the dancers’ mutual embrace, the same form of love to analyze, in the meantime, in addition to the performance of the young men and women love twilight and romance, but also shows the marriage and totem worship special dance type. (Illustration 1) It aroused people’s deep concern and reflection.