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一、中国先锋话剧的表演歌舞化倾向中国先锋话剧市场有结构片段化、表演歌舞化、形式多样化、受众年轻化的倾向。而艺术创作者在创作过程中对时间的需求与营销者对市场对高效、高利追求之间的矛盾,使许多创新性强、有发展潜力的戏剧作品在孕育阶段便被迫端到了舞台上。而在这样一种高速孵化成品的高度商业化市场中,音乐被当成一种工具大量填入话剧作品中,但因听觉不如视觉直观,音乐又是话剧创作过程中最易被忽视的部分。
First, the performance of Chinese avant-garde drama song and dance tendency Avant-garde drama market in China has fragmented structure, performing song and dance, diversified forms, the audience tends to be younger. However, the contradiction between the demand for time and the pursuit of efficiency and profitability of marketers in the market during the process of creation has forced many creative and promising drama productions to be brought to the stage of pregnancy. In such a highly commercialized market for high-speed hatching of finished products, music is used as a tool to fill a large number of plays, but it is not as visually intuitive as music, and music is one of the most overlooked parts of the drama.