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莫言的短篇、中篇、长篇小说之间存在着某些人物、故事情节和意象反复出现所形成的自涉互文性。这种互文性呈现为后文本对前文本的增补或改写,因而具有小说叙事学的功能和价值。在其不同的小说文本中,“莫言”作为叙述者的现身说法或后文本对前文本的提及、重述,在某种程度上又构成了小说的元叙事特征。这种互文性还具有文本间的对话性质,产生的是不确定性与增殖性的意义。自涉互文性凸显了莫言早年以饥饿、孤独、屈辱、恐惧为核心的苦难记忆与生活经验对其“高密东北乡”文学(小说)王国的决定性影响。
Mo Yan’s short, medium, novels there are some characters, stories and images repeatedly appear to form the self-intertextuality. This kind of intertextuality appears as the supplement or rewriting of the former texts by the latter texts, and thus has the function and value of novel narratology. In its different novel texts, “Mo Yan” as a narrator’s excuse or post-text reference to the former text, restate, to some extent, constitute the meta-narrative features of the novel. This intertextuality also has the nature of dialogues between texts and produces the meaning of uncertainty and proliferation. The self-intertextuality highlights the decisive influence of misery and life experiences of the late Mu-yin, whose core is hunger, loneliness, humiliation and fear, on his literary (novel) kingdom of northeast China.