现代意义上的“艺术”概念以及“艺术自律性”“审美无功利”等理论规定性皆是18世纪以来西方启蒙运动的产物,艺术与生活间界限的划定亦是现代性进程中诸价值领域相互分化的结果。但社会历史的演变与艺术自身的发展却在不断地挑战着艺术的神圣性与审美乌托邦,尤其是20世纪60年 The theoretical definition of “art ” in the modern sense and the “artistic self-discipline ” “aesthetic non-utilitarian ” and other theoretical provisions are the product of Western Enlightenment since the 18th century, and the delineation of boundaries between art and life is also The result of mutual differentiation of various fields of value in the process of modernity. However, the evolution of social history and the development of art itself continue to challenge the sanctity of art and aesthetic utopia, especially in the 1960s