“色即是空,空即是色”,浑忘七情六欲乃佛家最高修为,法国雕刻家基斯安·克诺斯亚却不吃这一套。 克诺斯亚珍视官感,希望还原久被埋没的触觉。 木,与他成了患难之交。他们一起对抗那些摒弃传统、漠视文化根基的现代创作人和如垃圾堆般的“艺术品”,他不屑一顾毫不典雅、也不优美的“现代艺术”。 那份执着咄咄逼人。 “Color is empty, empty is color,” forgetfulness is the highest repair of Buddhism, but the French sculptor Kisian Knowshia did not eat this set. Knossos cherished the official sense of hoping to restore the long-buried touch. Wood, and he became afflicted. Together, they fight against modern creators who abandon the tradition and disregard the cultural roots, and trash-like “works of art.” He dismissed the “modern art” that was neither elegant nor elegant. That attachment is aggressive.