以塑造恶霸地主形象、显示土地革命正当性和必然性为特征的“典范土地革命叙事”文本,其接受和传播不仅取决于外部权力机制,也与其自身审美及伦理特质密不可分。萌芽阶段的《暗夜》在接受与传播方面并不成功,《丰收》有所进步,而政治诉求与艺术传播的真正成功统一,是在《白毛女》出现之后。《暴风骤雨》及其以后的作品,又以自己不同的方式获得了接受与传播上的成功。它们获得成功的内外机理,值得予以具体而深入的研究。 The text of “Model Agrarian Revolutionary Narrative” characterized by shaping the image of a tyrant landlord and showing the legitimacy and necessity of the agrarian revolution depends not only on the external power mechanism but also on its aesthetic and ethical qualities. The “dark night” at the germination stage was unsuccessful in terms of acceptance and dissemination, and the “harvest” progressed. The true success and unity of political appeal and artistic communication came after the appearance of “White-Haired Girl.” The Tempest and its later works have also gained acceptance and dissemination success in their own different ways. Their successful internal and external mechanisms deserve concrete and in-depth research.