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唐代是书法艺术集大成的时期,从魏晋的崇尚风韵到唐人的追求法度,不但使极端工整的楷书和纵横挥洒的草书奏出了历史的最强音,而且在隶书创作上也打破了魏晋以来的沉寂局面,使隶书出现前所未有的繁荣。启功先生说:“唐人用隶书体,是使用旧字体,但能在汉隶的基础上开辟途径,追求新效果,不能不说是一种创新”★。故唐代隶书有着不可忽视的历史地位,而唐玄宗在隶书的发展上是有着重大贡献的人物。书法艺术的发展,既需要传统作为创造的凭借,又需要有所扬弃、有所改造和有所发展,否则就不会具
The Tang Dynasty was a time when the calligraphic art was a culmination. From the respectable charm of the Wei and Jin dynasties to the pursuit of the Tang people, not only the extremely regular script and the cursive scriptures, which were extremely neat, were played out as the strongest notes in history, The quiet situation since Jin dynasty, so that there is unprecedented prosperity official scripture. Mr. Qigong said: "The use of official scriptures in the Tang dynasty is based on the use of old typefaces, but it can open up new avenues and pursue new effects on the basis of Hanli. Therefore, the official script in the Tang Dynasty has a historical position that can not be ignored, while the Emperor Xuanzong in the development of official script is a significant contribution to the character. The development of calligraphic art not only requires the tradition as a virtue for creation, but also needs to be discarded, renovated and developed, otherwise it will not be