一、从《灯塔看守人》说起最近,在重读显克微支的《灯塔看守人》时,我的思想与情感一下子被某种神奇的东西点燃起来。这种神奇的东西就是语言。当然,我指的并不是小说的叙述语言,而是某种雄居于叙述之上的东西。《灯塔看守人》讲述的是这样一个故事:一个名叫史卡汶思基的波兰老人,因为厌倦流浪生活,因为希望给自己漂泊的生命找到一处避风的港口,仅仅出于“需要休息”的目的继任成了类似于“隐居苦修者”的灯塔看守人。史卡汶思基已经七十多岁了,是个饱经风霜的老人:他曾经做过金矿工,当过雇佣兵,经营过牧场,开设过铸铁厂;又做过水手,当过渔师,开过雪茄厂;他曾经独自一人架着木筏在亚马逊河上漂流,而木筏被礁石撞碎了;他还曾孑然一身,手无寸铁,几乎是赤身裸体地在大森林里流浪了好几个星期……由 First, from the “Lighthouse keeper” Speaking Recently, when rereading the “Lighthouse keeper” of Myeik, my thoughts and emotions were immediately ignited by some magical thing. This magical thing is language. Of course, I do not mean the narrative language of the novel, but something that dwells on the narrative. “Lighthouse keeper” tells the story of a Polish old man named Schwankski, who was tired of wandering because he wanted to find a safe haven for his wandering life, just because he needed rest “The successor to become similar to ” seclusion ascetic "lighthouse keeper. Schwabensky, already in his seventies, is a weather-beaten old man: he used to be a gold miner, a mercenary soldier, a ranch, a cast iron factory, a sailor, a fisherman, Cigar factory; he used to raft alone on a raft on the Amazon River, and the raft was crushed by the rocks; he was solitary, defenseless, almost naked in large forests for several weeks ... by