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上世纪30年代,电影刚刚在中国小成气候,上海电影界形势复杂,党内不少同志主张不要去蹚这潭浑水。瞿秋白沉思良久,决定派夏衍等文化人进军影坛。《风云儿女》、《马路天使》等优秀电影一扫武侠神怪、鸳鸯蝴蝶之窠臼,在千万观众中激起强烈共鸣。党的思想和主张在声光电中熠熠生辉,点亮了民族心灵的灯塔。面对新技术、新媒体、思想文化新领域,到底是挺身入局还是裹足不前?是与时俱进还是墨守成
In the thirties of last century, the film just came of age in China. The situation in Shanghai’s film industry is complicated. Many comrades in the party do not advocate going to the lake for muddy water. Qu Qiubai long meditation, decided to send Xia Yan and other cultural people into the film. “Fengyun children”, “road angels” and other outstanding movies swept away martial arts monsters, mandarin ducks butterfly mortar, in millions of audience aroused strong resonance. The party’s thoughts and ideas shine in the sound and light, lighting the lighthouse of the national soul. In the face of new technologies, new media, new fields of ideology and culture, in the end is to step forward or is it stagnant?