我国引入公共艺术概念较晚,从最开始的绿化设计、景观设计、雕塑设计一路挣脱束缚而来,策展人、艺术家、雕塑家、建筑师、设计师等相关群体一直在坚持不懈地探索公共艺术自身的意义、边界,以及实施流程、创作手法。本期《纸上展览》栏目借“公共艺术”专题策划之机,从时间、空间、作品内容、形式、创作手法、价值意义等维度选取国内比较具有代表性的公共艺术案例,涵盖雕塑、壁画、装置、景观、活动、建筑以及公共设施等公共艺术的形式载体,力图呈现具有文献研究价值 China introduced the concept of public art later, from the beginning of the green design, landscape design, sculpture design all the way out of bound, curators, artists, sculptors, architects, designers and other related groups have been unremittingly exploring the public The meaning of art itself, its boundaries, the process of implementation and the method of creation. In this issue of “Exhibition on Paper”, we select the typical public art case in China from the dimensions of time, space, content, form, creative technique and value meaning of “public art” , Murals, installations, landscapes, activities, buildings and public facilities and other forms of public art carriers, trying to show a literature research value