这次的作品《走西口》实在是一件吃力而不讨好的笨拙之作。我自我感到在目前的境况下已经到了无路可走的地步,长期徘徊在了无创意,贫乏重复的状态中。我真不知道架上雕塑在未来的发展中应该注重在哪些个关键点上? 《走西口》的选材是十分陈旧的,几乎被唱、被演滥了。旧时代情侣的相别除了艾怨似乎再无其他！也许选它或命名它为“走西口”本身即是一个极守旧的思维所使然！这真是十分可笑的举动。 其次在表现手法上,过分地强调了这对北方情人的粗、笨乃至“蠢”的一面,使人丝毫也感觉不到某种空灵、聪明、轻松的东西。这说明作者骨子里的造做、骄饰的东西在作祟！ This piece of work, “Going West,” is really a clumsy and awkward task. I feel myself in the current situation has come to a halt, long-term wandering in the non-creative, poor repeat state. I really do not know what key points should be paid attention to in the future development of sculptures on shelves. The material for “walking westward” is very old, almost sung and runnable. In addition to the old age of the couple’s love seems to have no other resentment! Perhaps choose it or name it as “walking west mouth” itself is a very conservative mind! This is really ridiculous move. Second, in terms of expression, it over-emphasizes the coarse, stupid and even “stupid” side of the northern lover, leaving one with no sense of ethereal, clever, relaxed feeling. This shows the author made in the bones, arrogant things at work!