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音乐作为中国古代一种非常重要的艺术形式,在各门艺术中起着主导作用。儒家把“乐”作为其礼教系统中的重要组成部分,以孔孟为首的儒家哲人对“乐”的审美教育功能进行了深入的阐发。作为中国古代美育思想上占主体地位的儒家美育思想,其对礼乐教化传统的维护、发展态度引起了墨子的“非乐”论、老子的“大音希声”、韩非子的“礼”与“质”等墨、道、法诸家的批判审视,在古代美育思想史各个时期都产生了重要而深远地影响。尤其是其乐论的发展构成了中国古代中和论美育的核心精神,因此,儒家以至整个中国古代美育思想可以称为“中和论美育观”。
As a very important art form in ancient China, music plays a leading role in various arts. Confucianism regards “music ” as an important part of its system of ritual and education, and Confucian philosophers headed by Confucius and Mencius make an in-depth analysis of the aesthetic education function of “music ”. As the Confucian aesthetic thought of aesthetics in ancient Chinese aesthetics thought, its attitude towards the maintenance and development of the tradition of ritual and enlightenment aroused Mohist ’s theory of “music ”, Lao Tzu The critical examination of ink, Taoism and law of all countries such as “Ceremony ” and “Quality ” has had an important and far-reaching impact in all periods of the history of ancient thought of aesthetic education. In particular, the development of his musical theory constitutes the core of the aesthetic education in ancient China. Therefore, Confucianism and even the entire ancient Chinese aesthetic education thought can be called “neutralization of aesthetic education”.