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本文拟从粤剧《观音情度韦陀天》为例,运用作曲法分析卜灿荣老师担任粤剧唱腔设计创作的音乐悦耳性特色。一、注重使用调式功能性音调式功能性音即主音、主音上方五度属音和下方五度的下属音的总称,也叫做调式的骨架音。多使用调式功能性音,使得一段音乐的调式调性不会模棱两可,且较为有逻辑。以《观》剧里面的一段(反线中板)为例子。这是一个G宫调式,567235(固定调),偏音为1和升4。粤剧唱腔要求问字扌罗腔,在选择的范围就会有点少,开
This essay tries to use the method of composition to analyze Professor Bu Chaon-rong’s musical characteristics as the musical design of Cantonese Opera aria. First, pay attention to the use of functional tone tone-style functional tone that is the tonic, the top of the tonic five degrees below and under the subordinate tone of the general term, also known as the tone of the skeleton. Use multi-tone functional tone, making a tune of musical tune is not ambiguous, and more logical. Take the section of “View” (anti-line plate) as an example. This is a G Palace style, 567235 (fixed tone), with a 1 and a 4 asleep. Cantonese opera asked to ask the word 扌 Luo cavity, in the choice of the range will be a little less, open